We are excited to announce the film will soon play four new festivals, from all over the world. Two are virtual events, and two are actual seated public events! First up, we are playing on demand across Canada throughout the entire Fantasia Film Festival (up to 1200 available tickets – full schedule here and festival FAQs here). Next, we are playing Night Visions in Helsinki, Finland on both August 21st and 22nd, in an actual cinema! Then, we hit the United States for a special sneak preview at Buffalo Dreams Fantastic Film Festival on August 27th, 6:30pm (actual event screening, reduced capacity audience in a safety conscious venue). Finally, we have our UK premiere at Frightfest on August 30th, 1pm (virtually, geo-blocked to the territory). We are very thankful to all these festivals for giving us a chance, and hope you get a chance to see the film at one of them!
We are going through some interesting times in the film industry at the moment, to put things lightly. Due to COVID-19, film festivals and theatrical exhibition has been put on indefinite pause, and as such, despite the long list of festivals CLAPBOARD JUNGLE has been accepted into, we haven’t been able to play some of them, and time will tell if we will get to actually play any, in a traditional sense.
But some great news, for those who live in Canada! We were set to world premiere at Canadian Film Fest in Toronto, which of course was cancelled. But that festival stepped up in a big way, partnering with Super Channel to move the entire program to broadcast television! This means that anyone in Canada can now watch CLAPBOARD JUNGLE through a Super Channel subscription on June 5th, 9:10pm, Superchannel Fuse. This is not a regular broadcast screening, and will only repeat once, so make sure to catch it when it airs! And if you don’t have Super Channel? You can sign up through your cable provider. And if you don’t have cable? Anyone with an AmazonPrime subscription can sign up, straight through Prime. There are even free trials available! Full festival line-up and details here.
As for other fests, we have announced that we were accepted into Fantaspoa in Brazil, but are unsure when that takes place. Additionally, we were set to have our US premiere at Chattanooga Film Festival. They recently ran a successful online festival, with a partnership through Microsoft. Unfortunately, due to our current sales realities and desire to limit the release at this early point, to give us the best chance of sales and spread in the US market, we’ve made the difficult decision as a team to bow out of this festival. This is not a reflection of the festival itself, as what they ran with Microsoft was really impressive, it just didn’t work with our current sales status in the US.
We will continue to update you as the release continues, and the 8-episode companion series is completed. Thank you for your patience, and stay safe!
We are pleased to announce the stand-alone documentary CLAPBOARD JUNGLE will World Premiere at Canadian Film Fest on March 26th, 5:30pm, Scotiabank Theatre, Toronto! To accompany that, we’re happy to finally release the first trailer for the film, as well as a new poster. Additionally, there are several other festival dates already booked and announcing soon!
After a very long road, we are proud to announce the stand-alone feature-length version of CLAPBOARD JUNGLE has reached picture lock! We have just started submitting the film to festivals. Simultaneously, we are working on an 8-episode educationally-focused companion series. Both components will see release at some point in 2020, and we sincerely appreciate your patience over the years as this project was completed. We are very happy to be at this point, but still have a lot of work ahead. More details should be available soon.
Hello everyone! I would like to first of all state that post-production continues, but so does production, simultaneously. There is so much footage to go through that post work needs to be continuous while we shoot the last bit of the film. I also personally just shot a new feature film called RED MILE, and traveled to Cannes once more, the footage from both to be included in the CLAPBOARD JUNGLE (and supporting additional content). There are also trips upcoming to NY and Fantasia (in Montreal), with the goal to get the last of our interviews recorded by end of summer.
Overall, production will continue until late Fall 2016, with a new release date targeted for March or April 2017. I’ll continue to keep everyone posted as all of this draws near.
The decision to push the release date back is due to multiple factors. Not reaching our Indiegogo fundraising goal meant that our proposed post-production schedule is taking more time due to lack of manpower, I personally didn’t feel I had a good enough ending for the main film yet (which will be remedied this Fall, more details on that soon), and we have been in discussions with some exciting new partners that may help us elevate the project (and subsequent distribution). At the end of the day, the decision is what is best for the film, and has been made to give you the best ‘bang for your buck’ possible.
Regardless, I apologize for the lack of frequent updates. The project is ongoing, I’m just personally too busy to keep posting. This will all ramp up closer to the release date, of course.
Thanks for your patience, and I can’t wait to share what we’ve been creating over these past few years!
We just returned from our trip to the American Film Market (AFM). During the market, multiple meetings were taken and lots of new footage was obtained. In addition to that, a slew of new interviews were collected while in LA, including: Michael Biehn (actor/director – The Terminator, Aliens), Charles Band (CEO – Full Moon Features / director – Puppet Master), Mike Mendez (director – Big Ass Spider, Tales of Halloween), Jennifer Blanc-Biehn (actor/producer – Dark Angel, The Victim), Uwe Boll (director – Rampage, Postal), L Gustavo Cooper (director – June, Velvet Road) and Jessica Cameron (actor/director – Truth or Dare, Mania)!
The Indiegogo campaign for the film has now launched, and can be viewed here. We are raising funds for the post-production of the film, and massive amount of additional content that will be available. The page also clearly explains the plans for the film’s release, eventual subscription-based website, and more. If you can, please help and/or spread the word through your social media. Every little bit helps.
We are also shooting the entire process of the campaign for a crowd-funding module and the film itself. The page also unveils two new pieces of news: Chris Alexander has joined the team as an associate producer, and we have brand new poster artwork by Small Dog Design.
The reality of basically self-producing a feature length documentary while simultaneously working full-time within the film industry means that some of the social media and web posting can fall by the wayside. Especially this early in the game (while production is still ongoing and we are a year out from release). This is just a general update stating that production on this documentary has continued steadily, including trips to Brussels and Cannes. Over 70 interviews have been collected at this point, with even more at the upcoming Fantasia Film Festival later this month.
We have recently had some great new key art created by Small Dog Design, which we will be unveiling in August, along with some other big news. Until that time, this site will remain basically quiet. The documentary has a very ambitious future ahead of it, and soon this site will spring to new life.
In the meantime, you can listen to me talk more about the plans for this film on the Craft Truck Podcast.
It has been important to me to get a vast array of perspectives on camera in the creation of this documentary. Iguchi is a unique example of a director working independently within a foreign film industry (Japan), who has managed to find more success for his films outside of his native country. His cult hits, such as The Machine Girl and Dead Sushi, are among the more well-known genre releases to come out of Japan in the last decade.
More fascinating, the light he sheds on the process he uses for creating a film speaks to a true indie spirit. Often times shooting without permits, pulling off large action sequences among the actual public, he offers some truly amusing insights.
I interviewed him this past summer, while attending the Fantasia International Film Festival (at which his over-the-top fun film Live played). The over an hour long interview is entirely in Japanese, which will make it a challenge when editing. I’m going to have to hire a translator to subtitle the entire thing before I know what I want to use. Luckily, this gives me even more incentive to put more of it out there, when the time comes.